Immersive Installation and Performance
Oboro, Montreal, Canada
May 19, 2017
Curator / text: Alice Ming Wai Jim
Sound design: Oliver Lewis
Produced during an artist residency at Oboro, DIY Haunt is an immersive installation performance inspired by childhood experiences in the Republic of China in the 1980s and 1990s during a period of turbulent political change and rapid economic growth.
It reflects on the political tension and instability that remains despite the end of four decades of martial law in Taiwan which lasted 38 years from May 19, 1949 to July 15, 1987. The lifting of martial law was followed by the liberalization and democratization of Taiwan although the first direct election of President and Vice President were not held until 1996. The political reform triggered many human rights movements, one of the results being the formal apology by Taiwan’s first female President on August 1, 2016, to Taiwan’s Indigenous peoples for four centuries of injustices.
Part tableau vivant of memories, part healing box, DIY Haunt speaks to the social and economic austerity of the post-Chinese civil war trauma of hundreds of families where differences between intergenerational experiences invoked separation, boundaries, and divisions. The performance focuses on inversion and stillness, using endurance as a metaphor for different forms of resistance to cultural conditioning past and present, here in Canada, as elsewhere.